Batman #36 marks part two of a new story. After Death of the Family, Endgame stars the Joker in his second story since DC’s New 52 began.
What Batman #36 offers:
- Bright colours and detailed artwork with forced perspective.
- A showdown between Batman and Superman
- Science information
- Duality Themes
Artwork for the comic uses bright colour, darkness, and forced perspective effectively. Superman and Batman are brought into each others contrasting worlds. Dualities appear in the artwork – things that are opposite and contrast are brought together.
Opening pages of the comic are surprisingly bright and colourful despite the dark storytelling. Themes of dualities run through the comicbook. Things that contrast are brought together. Superman and Batman, Joker and Batman, light and Dark, day and night. Superman flies down into Batman’s dark world – a detailed, dark theatre, and then an underground tunnel. Superman than drags Batman into his world – a bright, clear, blue sky.
Artwork for the Joker’s return has excellent forced perspective, showing small details close to the front of the panel. In this case, flies caught in webs. Later, the links of a chain are shown in similar forced perspective. Webs and chains foreshadow that The Batman has entered a trap. The Joker has indeed set a paralysis trap for Batman. Artwork for these scenes are atmospheric.
Conflict between Superman and Batman results in a showdown between Superman’s abilities versus Batman’s intellect and fortune. The winner is neither of them. The Joker’s re-appearance shows off several hidden meanings: His name, and his choice of clothing specifically.
This opening battle between Superman and Batman showcases Superman’s boundless abilities, and The Batman’s intellect and fortune. The winner, Batman comments, is neither of them. In order for Superman to win, he must become an unstoppable force, ejecting the moral core that makes up his character.
Superman can tear down all of Batman’s defences, with significant collateral damage and no mercy for bystanders.
For Batman, winning would mean depletion of his armory, weapons, and finances, and further forcing himself into isolation – having to live with killing Superman, who is traditionally a good friend.
Joker’s new approach to Batman mirrors his behaviour in the last Joker story. Last time, he describes his actions as a comedy. This time, a tragedy. This is a new step for the character. His clothing choices and his disguises all show off double meanings.
He choses to hide in plain sight as a character called “Eric Border”. Impersonating an Arkham doctor is made simple with the Joker’s new face, surgically attached at some point between stories. There’s an explanation of the hidden meanings behind the name. Eric means “eternal ruler”, and Border is a homphone of “Bourder”, which is an archaic word for “Jester”.
Joker’s black clothes are suitable for a funeral. This is a marked difference from Death of the Family where he wore a mechanics overalls. The clothing choice matches his goals: first trying to “repair” Batman’s life by removing the Bat Family, and now funeral clothes for killing Gotham and the Batman.
Friends are turned into enemies, expanding on a duality theme. The Joker sees himself as a friend to the the Batman, and now, changes himself into an enemy. Scientific information also appears.
Duality themes run through the comic. Contrasting pairs of characters are brought together. Bright colours contrast with Shadows. Superman shifts from a friend into a terrible foe. He becomes both friend and enemy.
The Joker sees himself as a friend who cares about the Batman. Now, he has contempt for the Dark Knight. In his new plan, he sees himself as a true enemy. The Joker’s alias, Eric Border, was also
a friend disguised as a villain, two people at once. Again, friend turned enemy.
Scientific information also appears. Chemistry concepts that Batman and Joker mention include:
- Nuclear fission versus nuclear Fusion
- Butadiene-based rubber
- Magnetised filaments
- Quinolone – to treat toxins
Batman #36 is published by DC Comics ($3.99 USD). Scott Snyder (W.) Greg Capullo (P.) Danny Miki (I.) FCO Plascencia (C.) Steve Wands (L.) Cover Artwork by Capullo, Miki, and Plascencia.